Odd one out

DOCUMENTARY Odd Canary Productions | 15 minutes

SYNOPSIS

A short documentary about Adam Johansen, co-owner and head designer of the OSCAR and BAFTA award winning prosthetics company Odd Studio & his journey to success.

JACINTA’S ROLE

Cast School Girl
Crew Production Illustrator / Art Department

Stills

PRODUCTION ILLUSTRATIONS + SCULPTURES

Jacinta’s role as Odd One Out’s production illustrator and sculptor was to create a series of pieces as both set pieces and props for the documentary.

This sculpture was used for the opening image of the documentary. In the context of Adam Johansen’s story, this sculpture was to be portrayed as though a teen Adam had sculpted it.

Leading up to this, Jacinta did some research and studied photographs of Johansen’s sculptures and work for Odd Studio. She focused on his stylistic choices and how realistic his creatures look. She based her work on one particular sculpture which he had made specifically for the documentary. The claw sculpture needed to emulate a younger Adam’s style and ability. Her focus was on attention to detail, yet also looking rough, since it also still needed to look as though it had been sculpted by someone who isn’t a professional just yet.

Hence, Jacinta wanted there to still be some flaws whilst showing this artist’s potential. Keeping that in mind, she crafted this piece with the approach of someone trialling different sculpting techniques.

Embodying Adam’s realistic style, she added emphasis to his journey, as at this stage in the documentary, he was still honing his craft. Here you can see experimentation with varying techniques for scale and skin-like textures.

These are images of different stages when creating the sculpture, and above is a still from the final cut of the opening scene.

Next up are illustrations which were created to be set pieces. This particular scene was set in an art class. Jacinta drew various pieces to be used as props by different actors. The pieces had to look as though a bunch of different art students had sketched the same stimulus.

With a focus on form, she created varying individualistic approaches and styles to portray human anatomy. In her own artmaking practice, she’s is often drawn to realism rather than abstraction, however her job here was to create different art styles as though different artists were drawing each piece. All up there were about five different pieces. This was a welcome challenge to experiment with different techniques she wouldn’t usually apply.

Here, we see a skeletal structure — a teen Adam’s take on the class brief, whereas the pieces of his other classmates employ completely different approaches and styles.

Jacinta particularly enjoyed choosing a different art style for each actor. Featured is actor Ryan Scott with his character’s art piece. Each piece was also drawn from a different angle, dependent on where the character was sitting in the class. Below are final stills of this scene in the documentary. Jacinta was also featured in this scene as an art student.

Yardin also got to create various pieces which were again set to look as though different artists had drawn them. This meant again experimenting with different materials, as well as techniques. In addition to graphite sketches, the works included mediums in the likes of watercolours, oil pastels, and charcoal. Jacinta is also ambidextrous, but usually use my right hand to draw. But for this, she used her left hand for certain artworks, such as the above gorilla, to ensure the style looked a bit more rough and expressive. Using differing materials and applications / control was how she best conveyed a visible difference between art from different age brackets, styles and ability levels.

One of her favourite parts of this project was drawing from the perspective of an artist at different stages of their life.

Her mission was to create artworks from different stages of Adam’s life and have a clear throughline as his skillset advanced. She created a vast series of artworks that ranged from a young child’s amateur level all the way through to a late teenager who is showing the potential of a professional. Here you can see different artworks which adorned teen Adam’s room. The works vary from cartoonish figures to more detailed and realistic studies of anatomy and form.

Jacinta often drew from her own experience, understanding that within the growth of her own practice, there were more evident changes than merely skill advancement. A lot of the subject matter artists use whilst growing up often reflects their personal life and current interests. This was something she also wanted to reflect in Adam’s journey of his artistic process.

After going back and forth with director Celine Hernandez, Yardin decided upon having different focuses for Adam’s different ages. For example, they envisioned at age 12 Johansen would’ve been drawing in a more cartoonish style, focusing on form and structure. However, when he aged, Johansen’s rendering would’ve improved, so then Jacinta would use more advanced techniques, such as creating depth and tone with shading and crosshatching, emulating an artist trying to master their craft. The subject matter and the techniques had to mature and adequately show artistic progression throughout the years.

After many discussions with Celine about what actually went into Adam’s journey as an artist, they decided upon specific subject matter for each piece. Jacinta delved into imagining Adam’s practice over the years and his fascination with certain characters and animals, which would go on to later shape his successful career and creating his own creatures.

The final piece she worked on for this project was a sketch of a creature Adam had especially created and sculpted for the documentary.

First, Adam created the sculpture and then Celine commissioned Jacinta to sketch it. The illustration needed to look as though teen Adam had come up with the original concept art, and this would then inspire Adam to later create this character after becoming successful in his career.

It was such an honour and welcome challenge for Jacinta to draw this piece that Adam had designed. She aimed for this particular artwork to showcase a teenaged Adam’s artistic understanding of tone and depth, which could later correlate to his professional understanding of form in a more three-dimensional capacity. Since it was also a featured piece that would be more heavily focused on (rather than used for set dressing), Jacinta also implemented markers and charcoal with graphite so that it would have a slight salience when filmed.

Below are images of Adam’s sculpture and Jacinta’s version, and then featured is Finn Middleton, the actor who played teenaged Adam, acting as though he drew it and stuck it on his wall.

Cast

Adam Johansen
As Himself

Teen Adam
Finn Middleton

Young Adam
Alex Bar

Adam’s Mum
Michelle Rouady

Adam’s Dad
Paul Godrey

Nick Johansen
Jack Stephens

Chris Johansen
Rueben Reynolds

Kate Johansen
Karelina Clarke

Adam’s Aunty
Tammy Cook

Art Teacher
Alyssa Perez

Maths Teacher
Julie-Anne Breen

School Girls
Jacinta Yardin
Shanuka Nagaratnam

School Boys
William Preedy
Dillon Amor
Ryan Scott
Jonathon Nicola
Benjamin Kanu
Vincent Sutcliffe

Art Students
Tali Greenfield
James Lee

Artists
Brooke O’Farrel
Amahlia

Industrial Artists
Darcy Caroll
Nathan Horton
Christopher Fias-Ayon
Lachlan Macansh

Damian Martin
as Himself

Crew

Director / Writer
Celine Hernandez

Producers
Celine Hernandez
Taylah Barbeitos

Executive Producers
Taylah Barbeitos
Celine Hernandez
Marcus Barbeitos

Editor
Nathan Horton

Casting Directors
Celine Hernandez
Taylah Barbeitos

Post-Production Supervisor
Taylah Barbeitos

Colour Gradist
Nathan Horton

Sound Mixer
Nathan Horton

Additional Sound Mixer and Mastering
Trent Anthony Francis

Composer
Pei Hsin Quo


LOCATIONS / SPECIAL THANKS
Odd Studio
Northern Beaches Council & Lifeguards
Northmead Creative & Performing Arts High School
Damian Martin
Christopher Fias-Ayon
Moonlight Ridge
Kerrie & Tony Wehbe

Crew

UNIT A

Director of Photography
Kseniia Torshilova

First Assistant Director
Mark Scoles

First Assistant Cameras
Josh Loria
Caitlin Lima
Lachlan Macansh

Second Assistant Camera
Lucas McDowall

Camera Operator
Nathan Horton

Gaffer
Lachlan Macansh

Grip
Fletcher Cottle
Lachlan Macansh

Best Electric
Madison Grant

Sound Recordist
Ben Spencer
Nathan Horton

Production Designer
Marlena Horan

Art Director
Lulu Forti

Art Department Assistants
Ebony Atmore
Caitlin Turner
Taylah Barbeitos

Graphic Designers
Marlena Horan
Isabella Milani
Hannah Brooke Scholtens

Production Illustrator / Sculptor
Jacinta Yardin

Makeup Artist
Taylah Barbeitos

Script Supervisor / Continuity
Mark Wehbe

Data Wrangler
Nathan Horton

Production Manager
Taylah Barbeitos

BTS Photography
Nathan Horton
Katya Kondrasheva

BTS Videography
Nathan Horton

Crew

UNIT B

Director of Photography
Kseniia Torshilova

First Assistant Director
Lucas McDowall

First Assistant Camera
Fletcher Cottle

Second Assistant Camera
Shannon Watts

Underwater Camera Operators
Kseniia Torshilova
Celine Hernandez

Gaffers
Lachlan Macansh
Sam Vasta

Grip
Fletcher Cottle

Best Electric
Shannon Watts

Sound Recordist
Ben Spencer

Production Designer
Marlena Horton

Art Director
Lulu Forti

Makeup Artist
Elise Andersen

Script Supervisors /
Continuity
Mark Wehbe
Hamish Holton

Data Wrangler
Nathan Horton

Production Manager
Taylah Barbeitos

BTS Photography
Nathan Horton
Katya Kondrasheva

BTS Videography
Nathan Horton